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Schools & FE · School inspection (EIF)

National College for the Creative and Cultural Industries

Inspected 11 Oct 2019 · URN 144793

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Summary

What we read, and from where

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  • Inspection date verified

    11 Oct 2019

  • Inspectors verified

    Deborah Vaughan-Jenkins, Helen Whelan, Linnia Khemdoudi, Sambit Sen

  • Behaviour and attitudes verified

    Good

  • Leadership and management verified

    Requires improvement

  • Overall effectiveness verified

    Requires improvement

  • Personal development verified

    Requires improvement

  • Previous overall verified

    Requires improvement

  • Quality of education verified

    Requires improvement

  • Name on report verified

    National College for the Creative and Cultural Industries

  • URN verified

    144793

Page 1 of 7
Page 1 of the report

Deep dive

What this report says

In plain English

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Grade profile

Each judgement on its scale, weakest to strongest.

  • OverallRequires improvement
  • Behaviour and attitudesGood
  • Leadership and managementRequires improvement
  • Personal developmentRequires improvement
  • Quality of educationRequires improvement

15% of comparable inspections in the last three years were graded Requires improvement (5,043 inspections).

Tone of the report

How positive or critical the inspectors' language is, from the words they chose. No AI involved.

+57Positivemore positive than 92% of reports of this type graded Requires improvement
OutstandingGoodRIInadequate

Reads more warmly than most reports of this type graded Requires improvement.

Markers show where typical reports of each grade sit.

Praiseeffectivelysecure knowledgefeel safevery wellhigh-qualitysafeenjoysuccessful
Criticismtoo fewtoo slownot alwaysnot clear

How the report reads, start to finish

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FindingsWhat needs to improveAbout the inspectionSafeguarding positive critical
  • Findings925w+44
  • Safeguarding117w+71
  • What needs to improve211w+43

Strengths

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Concerns

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No strong criticism found.

Next steps

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What the report dwells on

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Anatomy of the report

How the report is built, against others of the same type and grade.

Pages
7
Words of findings
1,213
about usual (typical 1215)
Reading level
Hard
Flesch 40, typical 56
Average sentence
19 words
Next steps
2
typical 5
Hedged sentences
2%
“some”, “not always”, “most”…

Where the words go

Findings 54%Safeguarding 7%What needs to improve 12%About the inspection 27%

Full report text

Inspection of National College for the Creative and Cultural Industries

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Overall effectiveness Requires improvement

The quality of education Requires improvement Behaviour and attitudes Good Personal development Requires improvement Leadership and management Requires improvement Education programmes for young people Good Adult learning programmes Good Apprenticeships Requires improvement Overall effectiveness at previous inspection Not previously inspected

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Information about this provider

The National College for the Creative and Cultural Industries was established in September 2016. The college was started by employers from prestigious national creative organisations to close the identified skills gaps for technical and backstage training in the creative industries. The college is situated in Purfleet. College leaders work with the creative and cultural skills sector council and key employers from the creative sector to develop industry-relevant qualifications at levels 3 and 4.

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Information about this provider

Leaders offer education programmes for 18 young people and six adults at levels 3 and 4. The 81 apprenticeships predominantly study the level 3 creative venue technician standard. Leaders enrol appprentices from across the country. Around half work for a range of world-recognised organisations in and around London. 8–11 October 2019

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What is it like to be a learner with this provider?

Apprentices benefit greatly from the wealth of employer expertise available to them. Frequent opportunities to shadow industry specialists from other theatres and theatrical departments enable them to increase their knowledge of how different areas of the creative industries work.

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What is it like to be a learner with this provider?

Apprentices gain secure knowledge of their subject through constant practice and recall. This reinforcement enables apprentices to perform often technically demanding tasks quickly and accurately. They use complex and high-level technical language well.

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What is it like to be a learner with this provider?

Learners participate in good-quality, industry-relevant work experience. This develops their wider understanding of how the creative industries operate and prepares them effectively for working in the industry. However, not enough learners benefit from working with the industry clients who use the onsite rehearsal facilities. Consequently, too few learners experience the staging of large-scale commercial performances first hand.

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What is it like to be a learner with this provider?

Apprentices and learners benefit from a variety of networking events and additional visits within the creative industries sector, for example industry-relevant exhibitions, visits to a range of theatres and sector-specific promotional events, throughout their programme. As a result, they develop good communication skills and contacts with other industry professionals.

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What is it like to be a learner with this provider?

Learners enjoy the friendly and welcoming environment at the college. They appreciate the support from staff to help them learn and to find work in the creative industries. Learners and apprentices behave with great maturity. They bring fresh ideas and new ways of thinking to the workplace. Learners feel listened to and they feel safe.

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better?

Leaders and managers ensure that apprentices and learners significantly improve their technical skills. Apprentices often work in more than one theatre, so they can experience different sound, lighting and special effect systems, for example being able to master both automated and counterweight flying techniques. As a result, learners gain a wide range of specialist skills and develop good working relationships with colleagues from other organisations.

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better?

Teachers ensure that through organising a range of events, full-time learners gain a good understanding of a variety of job roles, such as director, stage manager, lighting technician or marketing manager. Learners develop good skills and knowledge to run successful small public events before working on larger, more complex events, such as West End shows. 8–11 October 2019

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The standard of learners’ and apprentices’ work is high. Managers and employees greatly value their apprentices. Apprentices and learners are keen to learn and have a desire to produce work to their very best ability. Learners collaborate well with their peers to produce high-quality and detailed projects. Learners often take on additional responsibilities and roles, so they learn a wider range of industry-specific skills.

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Leaders ensure that apprentices and learners develop a secure knowledge of health and safety in their workplaces. Many apprentices and learners achieve additional qualifications relevant to the theatre, such as ‘rescue at height’. Learners and apprentices fully understand the importance of adhering to stringent health and safety standards. They know how to work safely to keep themselves and their colleagues safe.

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Teachers ensure that full-time learners are knowledgeable about the range of careers available to them within the creative industries. Learners frequently refer to different job roles and what skills they need to develop to gain employment. Teachers use their own industry contacts well to further develop learners’ knowledge. They embed careers advice effectively into ‘live’ project briefs. However, the careers advice that coaches provide to apprentices does not give them a clear idea of the potential career paths available to them on completing their apprenticeship.

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Learning coaches do not ensure that apprentices maintain and further develop their information, communication and technology (ICT), and English and mathematics skills to a good standard. Learning coaches do not assess all apprentices’ starting points in a timely manner to identify what skills they need to improve. For example, whether apprentices can use spreadsheets to manage the budgets for the events and exhibitions they will plan and manage.

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Leaders have not ensured that all learning coaches have the skills and knowledge to coach apprentices to develop the skills they need. A significant minority of learning coaches do not provide good-quality learning. These learning coaches do not ensure that apprentices know what they have done well and what they need to do to improve. Learning coaches do not ensure that employers know how to help apprentices link their theoretical learning to their workplace learning activities.

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Leaders have not ensured that learning coaches are trained to support apprentices who have additional support needs in the workplace. Learning coaches do not work with employers to help them identify what reasonable adjustments they need to make for learners with mental health conditions or those on the autistic spectrum. Consequently, they do not help apprentices to develop the strategies they need to cope with the pressures of the industry in which they work.

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Leaders work closely with employers and the creative and cultural skills sector council. They have developed a curriculum at levels 3 and 4 that meets the skills and recruitment needs of the sector well. However, leaders have been too slow in ensuring that learners and apprentices can move on to relevant higher-level study to 8–11 October 2019

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further develop their careers. For example, learners studying the level 4 professional diploma have no direct progression route on to an appropriate level 5 course.

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Governors have relevant creative industries experience and a detailed knowledge of the further education sector. They support and challenge the senior leadership team effectively to improve the employer and learner experience. However, they do not always ensure that the actions undertaken improve the quality of apprenticeship provision quickly enough.

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Safeguarding

The arrangements for safeguarding are effective.

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Safeguarding

Leaders undertake appropriate checks to ensure that staff are safe to work with learners. Leaders ensure that staff are trained appropriately and that employers understand their responsibilities on how to keep apprentices safe. The designated safeguarding officer (DSO) supports learners’ wider well-being needs very well.

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Safeguarding

The DSO frequently reports to senior managers and governors to ensure that they are fully informed of the issues that arise. The DSO ensures that learners and apprentices receive up-to-date and relevant training. They have a good understanding of how to protect themselves, for example, from the potential risks of up-skirting and gang-based violence. Learners and apprentices feel safe and know who to report issues to.

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What does the provider need to do to improve?

◼ Leaders should ensure that apprentices and their employers understand apprenticeships fully so that they can work effectively together to help apprentices develop new skills, knowledge and behaviours. ◼ Leaders need to ensure that learning coaches understand the apprenticeship standards fully. They need to ensure that apprentices develop the skills and knowledge they need to succeed. ◼ Leaders need to ensure that learners and apprentices have clear and industry- relevant progression routes from their current levels of study to help them access a wider range of potential career pathways. ◼ Leaders need to ensure that all learning coaches thoroughly assess apprentices’ skills on entry, so they know what ICT, English and mathematics skills apprentices need to develop throughout their programme to succeed in their future career. ◼ Leaders need to ensure that learning coaches and employers are better informed

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What does the provider need to do to improve?

of how to support apprentices with a range of learning difficulties and/or disabilities or mental health conditions to make sure that they develop strategies to cope when under pressure. 8–11 October 2019

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Provider details

Address The Backstage Centre High House Production Park Vellacott Close Purfleet RM19 1RJ

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Provider details

Date of previous inspection Not previously inspected

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Provider details

Main subcontractors None 8–11 October 2019

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Information about this inspection

The inspection team was assisted by the vice principal, curriculum and quality, as nominee. Inspectors took account of the provider’s most recent self-assessment report and development plans, and the previous inspection report. The inspection was carried out using the further education and skills inspection handbook and took into account all relevant provision at the provider. Inspectors collected a wide range of evidence to inform judgements including observing learning sessions, scrutinising learners’ work, seeking the views of learners, staff and other stakeholders, and examining the provider’s documentation and records.

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Inspection team

Linnia Khemdoudi, lead inspector Her Majesty’s Inspector Sambit Sen Her Majesty’s Inspector Helen Whelan Her Majesty’s Inspector Deborah Vaughan-Jenkins Her Majesty’s Inspector 8–11 October 2019

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regulates and inspects to achieve excellence in the care of children and young people, and in education and skills for learners of all ages. It regulates and inspects childcare and children’s social care, and inspects the Children and Family Court Advisory and Support Service (Cafcass), schools, colleges, initial teacher training, further education and skills, adult and community learning, and education and training in prisons and other secure establishments. It assesses council children’s services, and inspects services for children looked after, safeguarding and child protection.

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If you would like a copy of this document in a different format, such as large print or Braille, please telephone 0300 123 1231, or email enquiries@ofsted.gov.uk .

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You may reuse this information (not including logos) free of charge in any format or medium, under the terms of the Open Government Licence. To view this licence, visit www.nationalarchives.gov.uk/doc/open-government-licence/ , write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, or email: psi@nationalarchives.gsi.gov.uk .

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T: 0300 123 1231 Textphone: 0161 618 8524 E: enquiries@ofsted.gov.uk W: www.gov.uk/ofsted

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