Other · Ofsted report
Mountview Academy of Theatre Arts Limited
Summary
Rieks Drijver (lead), Chris Young, Joy Montgomery
What we read, and from where
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- Inspection date verified
8 Oct 2015
- Inspectors verified
Chris Young, Joy Montgomery, Rieks Drijver
- Name on report verified
Mountview Academy of Theatre Arts Limited
Deep dive
What this report says
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Tone of the report
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Reads more warmly than most reports of this type.
How the report reads, start to finish
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Strengths
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- Students’ attendance is excellent and they have outstanding study skills; they arrive at lessons ready to learn and take responsibility for their own learning. p.4
- Leaders, governors and staff ensure that teaching, learning and assessment are outstanding, and students in acting and musical theatre make outstanding progress. p.1
- Teachers further develop their skills through effective staff development and maintain excellent industry standards in their own practice through their ongoing training, research and professional work. p.3
- Teachers provide excellent guidance on being safe online and students know how to maintain a professional image through their presentation on social media. p.4
- At the start of the year, staff provide excellent guidance to students on how to maintain their personal safety, as well as working safely in practical workshops and maintaining a professional p.1
Concerns
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No strong criticism found.
Next steps
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- Governors and managers need to ensure that their safeguarding and equality and diversity policies are updated more frequently in order to reflect new or emerging issues. p.2
- They should ensure that staff training in safeguarding is timely so that the staff’s current good practice is maintained. p.2
- In their evaluation of the provision, senior managers should be more self-critical and make better use of data to evaluate strengths and identify areas for improvement. p.2
- Teachers should ensure that students receive clearer guidance when observing their peers to ensure that all students increase their learning from these activities. p.2
What the report dwells on
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Personal development3
“Personal development, behaviour and welfare Outstanding” p.1
Anatomy of the report
How the report is built, against others of the same type and grade.
- Pages
- 8
- Words of findings
- 1,954
- longer than usual (typical 1049)
- Reading level
- Hard
- Flesch 40, typical 45
- Average sentence
- 20 words
- Next steps
- 4
- typical 5
- Hedged sentences
- 3%
- “some”, “not always”, “most”…
Where the words go
Full report text
FE&S report Mountview Academy of Theatre Arts Limited Dance and drama school
p.1
Overall effectiveness Outstanding
Effectiveness of leadership and management Good
p.1
Overall effectiveness Outstanding
Quality of teaching, learning and assessment Outstanding
p.1
Overall effectiveness Outstanding
Personal development, behaviour and welfare Outstanding
p.1
Overall effectiveness Outstanding
Overall effectiveness at previous inspection Outstanding
p.1
This is an outstanding provider
Leaders, governors and staff ensure that teaching, learning and assessment are outstanding, and students in acting and musical theatre make outstanding progress. Teachers use their excellent industry experience expertly to prepare students for working in the theatre and associated industries. Governors and the new senior leadership team have a strategic vision for the academy which is focused strongly on securing employment for talented young people in acting and musical theatre. Governors and staff have a strong commitment to ensuring equality of access to training and have successfully raised participation from under- represented groups. Managers make very effective use of feedback from students, staff and employers in order to develop the curriculum and ensure that students have the skills to meet the changing needs within the industry. Almost all students successfully complete their qualifications and the large majority achieve high
p.1
This is an outstanding provider
grades. A high proportion of students successfully gain employment in the theatre and related industries. Students’ conduct and attitude to learning are exemplary; they adhere to high professional standards. Teachers thoroughly assess students’ prior attainment and skills at the start of the course and use this information to plan learning that closely matches each student’s needs. Teachers provide detailed feedback to students on their performance and progress; students reflect with maturity on the guidance given and rapidly improve their skills. Staff create an atmosphere of trust, in which the students very quickly gain the confidence to collaborate with each other and take risks to develop their learning. At the start of the year, staff provide excellent guidance to students on how to maintain their personal safety, as well as working safely in practical workshops and maintaining a professional
p.1
Information about the provider
Mountview Academy of Theatre Arts Limited trains students for employment in the theatre and related industries. The academy is based in North London and recruits students from across the United Kingdom and from abroad. This inspection centred on the academy’s training in acting and musical theatre, in which it offers degree programmes. Students in receipt of Dance and Drama Awards (DaDA) from the Education Funding Agency complete qualifications awarded by Trinity College, London. At the time of the inspection, there were 101 students on acting programmes, of whom 53 were in receipt of DaDA funding. There were 133 students on musical theatre programmes, of whom 69 were in receipt of DaDA funding. In the past two years, the academy has started a new course for actor musicians with 32 students currently enrolled and six in receipt of DaDA funding.
p.2
What does the provider need to do to improve further?
Governors and managers need to ensure that their safeguarding and equality and diversity policies are updated more frequently in order to reflect new or emerging issues. They should ensure that staff training in safeguarding is timely so that the staff’s current good practice is maintained. In their evaluation of the provision, senior managers should be more self-critical and make better use of data to evaluate strengths and identify areas for improvement. Teachers should ensure that students receive clearer guidance when observing their peers to ensure that all students increase their learning from these activities.
p.2
Effectiveness of leadership and management is good
The new senior leadership team, which has been in post just over a year, has worked extremely well with managers and staff to develop the academy’s vision and aspirations for its students. They have very successfully focused on continuing to improve the quality of teaching, learning and assessment to prepare talented young people for successful careers in acting and musical theatre. Managers evaluate the quality of teaching, learning and assessment very accurately. They have implemented successful strategies so that best practice is shared among teachers across the acting and musical theatre programmes. Teachers further develop their skills through effective staff development and maintain excellent industry standards in their own practice through their ongoing training, research and professional work. Managers use feedback from students, staff and employers very well to ensure that the curriculum
p.3
Effectiveness of leadership and management is good
remains relevant, for example through the introduction of the actor musician pathway. They have improved considerably the audition and applications process and have made substantial and very successful adjustments to the student timetable. Students now gain a wider range of skills to prepare them better for employment to meet the changing needs of the industry. Staff have a strong commitment to ensuring equality of access to the academy’s training. They have implemented an extremely well-considered outreach programme which has increased the diversity of students applying to and joining the academy. In their annual evaluation of the provision, managers are not sufficiently self-critical. They do not use data well enough to monitor trends in students’ performance in order to tackle the very few areas of underperformance. Heads of department implement improvement actions well at programme level, but
p.3
Effectiveness of leadership and management is good
senior managers and governors do not have a strong enough oversight of this work across the academy. The governance of the provider Governors have a good overview of most aspects of the academy’s work and carefully scrutinise the work of the senior executives and their business plans. They provide high levels of expertise and guidance and are particularly supportive of the plans to secure new premises to protect the academy’s long-term future. The arrangements for safeguarding are effective Staff are quick to recognise changes in students’ behaviour and attitudes which may affect their performance and welfare. Staff provide good support and guidance to address welfare problems, with effective referral to specialist services when appropriate. Governors and senior managers do not review policies frequently enough to reflect new or emerging issues; for example, they have been slow to respond to the fact that they are in a ‘Prevent’ priority
p.3
Effectiveness of leadership and management is good
area. Although staff practices regarding safeguarding and equality and diversity are effective, managers do not ensure that training for staff is undertaken in a timely enough manner.
p.3
Quality of teaching, learning and assessment is outstanding
The outstanding teaching, learning and assessment are underpinned by teachers’ highly successful drive to instil courage, curiosity and commitment in their students. Teachers use their excellent subject knowledge expertly so that students gain the skills and knowledge necessary to work in the theatre and related industries. Consequently, almost all students successfully complete their qualifications and the large majority secure employment as actors or musical theatre performers. Teachers are highly skilled at planning learning, which is sequenced so that students develop new skills or understanding and are able to reflect on what they have learned. Students then apply their skills and knowledge to produce work that is original and authentic. For example, in their public performance of First Lady Suite, final-year students had a thorough understanding of the complexities of the piece, what they needed to convey to their audience and how to do this in performance.
p.3
Quality of teaching, learning and assessment is outstanding
Teachers have excellent practical skills which they use in order to demonstrate technique, such as weight transference in dance, so that students learn from seeing best practice. Through auditions and at the start of courses, teachers assess thoroughly each student’s prior attainment and levels of ability across a range of performance skills. They use this information to plan learning that is tailored carefully to meet each student’s needs so that all students make outstanding progress. Teachers coach students very effectively to make improvements. They provide specific and detailed guidance to students during practical workshops, for example on how to improve their breathing and physicality in movement workshops. Students respond very well, reflect thoughtfully on guidance given and quickly improve their work to a high standard. At the start of the first year, teachers very quickly ensure that students integrate well with each other and
p.3
Quality of teaching, learning and assessment is outstanding
have a commitment to their learning and to each other. Teachers establish a very strong culture of openness, honesty and respect. Consequently, students are confident to air their views, raise questions and critique each other’s work. Teachers continually encourage students to perform at the highest level and develop good resilience to push themselves to achieve excellence. Teachers provide comprehensive verbal and written feedback to students. Students reflect with maturity and honesty on the feedback and use it effectively to help themselves improve further. In a few cases, teachers do not provide sufficient guidance to students when they observe their peers, in order to maximise their learning from these activities. Teachers and support staff work expertly together in order to provide a training environment that closely replicates the relationship between professionals in the industry and helps enhance students’ work. For
p.4
Quality of teaching, learning and assessment is outstanding
example, stage managers work closely with directors in rehearsal to ensure that commercial timings and standards are adhered to, and in the sound recording studio technicians provide detailed technical guidance to students to help them produce industry-ready voice-overs.
p.4
Personal development, behaviour and welfare is outstanding
Students adhere impeccably to professional codes of conduct and work consistently well to industry expectations of behaviour and work-readiness. Students’ attendance is excellent and they have outstanding study skills; they arrive at lessons ready to learn and take responsibility for their own learning. For example, they frequently make notes in lessons, ask for clarification when they are unsure and push themselves to achieve more. Teachers ensure that students have a comprehensive knowledge of the wide range of areas in which they can find employment. They provide detailed guidance to students so that they are aware of where their best opportunities for employment lie. Students also have a thorough understanding of business aspects of employment, such as the relationship between artists and agents, and of self-employment. Teachers provide highly effective guidance to students on the quality of their English and their written
p.4
Personal development, behaviour and welfare is outstanding
work. They assiduously insist upon high standards; students write accurately and are able to express themselves cogently within their actors’ notebooks. Students are eloquent in their contributions to class discussions. They listen closely to one another and develop each other’s ideas. They have an excellent command of the technical language associated with their professions, including French terminology used in dance training. In the few cases where students require numeracy skills, for example in aspects of dance and music, students have the proficiency to undertake their work to a high standard. The admissions process is comprehensive and staff ensure that students have the skills and aptitudes to be successful before they join the academy. At the start of the course, teachers provide excellent guidance to students to prepare them for living independently, as well as for their studies. Teachers place
p.4
Personal development, behaviour and welfare is outstanding
a strong emphasis on students’ well-being and students know how to keep safe. Teachers provide excellent guidance on being safe online and students know how to maintain a professional image through their presentation on social media. Staff positively encourage students to appreciate the social and cultural diversity within the area of North London in which the academy is located. They also foster tolerance amongst students and staff. Students have a very secure understanding of a range of social and cultural issues which they explore in detail through the scripts used for training and performances.
p.4
Outcomes for learners are outstanding
Most students make outstanding progress. For the past three years, almost all students on the acting programme have completed their training, and on the musical theatre programme all students complete their training. On both programmes the large majority of students achieve high grades. A high proportion of students are signed with agents within three months of completing their course and the large majority go on to have successful careers within the theatre and associated industries. Students’ work is of a very high standard. Third-year students demonstrate skills and professional attributes at a commercial standard. Those on musical theatre programmes are equally proficient in acting, singing and dancing. Acting students have an excellent command of their vocal and physical technique and have the skills necessary for work in television, film and radio as well as the theatre. Few gaps exist in the performance of different groups of students. In the past year, slightly more female
p.4
Outcomes for learners are outstanding
students than male successfully achieved their qualifications, and fewer students of minority ethnic heritage achieved high grades compared with their peers. However, all groups of students are equally successful in gaining employment. Students who need extra help to achieve receive highly effective support and achieve high grades.
p.5
full contract year
Principal/CEO Mr Stephen Jameson Website address www.mountview.org.uk
p.6
apprenticeships)
16 – 18 19+ 16 – 18 19+ 16 – 18 19+ 16 – 18 19+
p.6
Intermediate Advanced Higher
16 – 18 19+ 16 – 18 19+ 16 – 18 19+ 0 0 0 0 0 0 Number of traineeships 16 – 19 19+ Total 0 0 0 Number of learners aged 14–16 0 Funding received from The Education Funding Agency (EFA)
p.6
Inspection team
Rieks Drijver, lead inspector Her Majesty’s Inspector Joy Montgomery Her Majesty’s Inspector Chris Young Ofsted Inspector
p.7
Inspection team
The above team was assisted by the head of acting and musical theatre (undergraduate), as nominee, and carried out the inspection at short notice. Inspectors took account of the provider’s most recent self- assessment report and development plans, and the previous inspection report. Inspectors used group and individual interviews, telephone calls and online questionnaires to gather the views of students and employers; these views are reflected within the report. They observed learning sessions, assessments and progress reviews. The inspection took into account all relevant provision at the provider. guidance ‘Raising concerns and making complaints about Ofsted’, which is available from Ofsted’s website: www.ofsted.gov.uk If you would like Ofsted to send you a copy of the guidance, please telephone 0300 123 4234 , or email enquiries@ofsted.gov.uk .
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Inspection team
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Inspection team
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Inspection team
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Inspection team
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Inspection team
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Inspection team
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Inspection team
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